Showing posts with label Divergence Point. Show all posts
Showing posts with label Divergence Point. Show all posts

Sunday, 26 July 2015

B is for BUTTERSCOTCH

Much is made of the ‘Point of Divergence’ (PoD) in alternative history: the moment where real events end, and imaginary ones begin. Indeed I’ve written about the subject before (see previous blogs). Most people view the PoD of my world as the British defeat at Dunkirk. However, as previously stated I don’t view Dunkirk as the moment history takes a different path; I see it merely as the symptom of a much earlier change. The true deviation is more subtle and comes before the Nazis have taken power.

Some people have asked whether the PoD is the beach burning scene in the first book... those readers are on to something. But to get to the bifurcation you have to go back even further. In The Madagaskar Plan, the true Point of Divergence is revealed for the first time. It is Hochburg’s use of the word ‘BUTTERSCOTCH’ to describe the skin above Eleanor’s heel. I like the idea of how the course of the 20th Century might turn on a single, illicit adjective. It strikes me as a more intriguing idea than whether a battle was won or lost.


The point I’m trying to make is that history is not decided by headline events, men of destiny or the fate of armies – but in the obscure moments of our personal psychology. We make seemingly unimportant choices and these ripple through time in ways we can never imagine, informing much later decisions that can have profound effects on the world.

The misuse of the word ‘butterscotch’ leads to a multitude of other events and in the prologue of Book 3 you will see the full geopolitical implications of it (which admittedly tie back to Dunkirk). All this grows from that one misplaced word. History pivots on the trivial, the insignificant, as all our lives do. Though I should add, you don’t have to read the book in this way. If you’d prefer to keep Dunkirk as your PoD, that is your privilege as a reader!


B is also for BAYERWEED

One of the main new characters in Madagaskar is Tünscher, an old friend of Burton’s from the Foreign Legion and now an Obersturmführer in the SS. He’s meant as a trickster figure, someone neither the reader, nor Burton, knows whether to trust completely. [Spoiler alert.] To add an extra piquancy to this, and make him more unpredictable, I gave him a drug habit. Tünscher is a user of BAYERWEEDS.


During my research I read how Germans on the Eastern Front were prescribed cigarettes laced with heroin for lung injuries, and how some soldiers started smoking them to counteract the freezing air of the Russian winter.  A trade in these cigarettes soon began and it seemed a likely thing for Tünscher to get involved with. I coined the slang term ‘Bayerweed’ from the German pharmaceutical company that first developed heroin. Its name: Bayer AG.

Friday, 7 June 2013

D is for DIVERGENCE POINT (part 2)

By coincidence, in the past week two readers* have emailed me questioning whether Britain’s defeat at Dunkirk really is the DIVERGENCE POINT of the book. (As a quick reminder the divergence point in a work of alternative history is the moment where events take a different path to our own version of reality.) Those two emails were actually very astute, and follow on from similar messages I’ve had over the years. So although I planned not to reveal this until a later date (if ever), today I’ve decided to confess all.

Robert Frost would approve...

Dunkirk is not the true divergence point of the book. It is a symptom of an earlier cause. It is the place where geopolitical history changes but the real shift – a minuscule fissure in the past – predates it. If, thus far, I have promoted a slight falsehood it is because I have been playing to an audience; fulfilling the marketing needs of the book (though in my defence all the clues as to what’s really going on are in the text). As regular readers of this blog will know by now, nothing is ever quite what it appears with Afrika Reich!

So what is the true divergence point?

I’m not going to tell you for two reasons: 1) better you work it out yourself 2) rather unfairly, it’s more fully explored in Book 2. However, I believe world events are not decided at the macro level but micro. History is determined not when Caesar crosses the Rubicon – but earlier, in the accretion of childhood experiences that motivate the crossing in the first place.

Whilst you’re puzzling all this out (or heading back to Facebook, which is probably more entertaining anyway) I’ll leave you with a clue:



*One in Iowa, America; one in Venezuela – hello/hola if you’re reading!


Sunday, 23 October 2011

D is for DIVERGENCE POINT

If you’re writing an alternative history sooner or later you have to settle on a ‘DIVERGENCE POINT’ – i.e. the moment when real, recorded history ends and a new, alternative one begins. In SS-GB it’s the successful invasion of Britain by the Nazis, in Fatherland when Hitler defeats the Soviet Union in 1943.

I settled upon Dunkirk and instead of giving the British a miraculous escape, I had them slaughtered on the beaches. Why did I choose this point?


One of the themes of the book is the myths we cling to (think of Burton and his mother) and I wanted to echo this in the larger structure of the narrative. Dunkirk is often seen as the epitome of British pluck; a defeat that has somehow morphed into a victory and is seen as one of the country’s finest hours. Indeed, newspapers still refer to the ‘Dunkirk spirit’ in a whole variety of situations – from Brits abroad coping with crises to the dreary comebacks of our national soccer team.

I was intrigued by debunking this notion and having Dunkirk as a disaster. Instead of being a narrow escape it was a coup de grace that led Britain to negotiate with Nazi Germany, leaving us with peace but less national pride. Of course, once I had changed this, other aspects of the alternative history fell into place as a consequence. With Britain out of the war much earlier there was less need for American involvement; having to fight on only one front meant Germany could concentrate all its forces against the USSR and win (though as a nod to Harris, I kept the same date of 1943).

In reality, the reasons behind Hitler’s decision not to annihilate the British at Dunkirk remain a mystery. Some historians think it was down to incompetence, others that it would appeal to Britain’s sense of fair play, making them more amenable to negotiation. In my world there’s a very specific reason why Hitler doesn’t attack... though you’ll have to wait till the Prologue of Book 3 to find out!



D is also for DAMBE

In action adventure stories the hero often has some skill in martial arts. I wanted to give Burton the same but felt something like kung fu or karate would be impossibly crass. So I went looking to see if there was an African equivalent. As it turns out there were several including: kokawa, musangwe, ‘nuba’. In the end I opted for dambe, a West Africa form of boxing because a) I’d already place Burton’s upbringing in that part of the continent b) it just looked vicious and chimed with the character’s more violent streak.

You can see an example of dambe on this clip from CNN.


Curiously both I and Burton seem to have out-grown dambe... so it may not be back in Book 2. What does everyone else think?